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Personal data sheet |
Print preview VALIDITY EXPIRED personal data approved: 2019. III. 21. Publications |
2018
from data base, 2019. III. 21. |
Frigyesi Judit: A Kazinczy utcai zsinagóga hangtere, In: Oláh, János; Zima, András (szerk.) Schöner Alfréd hetven éves, Gabbiano Print Kft. (2018) pp. 113-124. type of document: Part of book/Könyvfejezet (to be translated) language: Hungarian
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2017
from data base, 2019. III. 21. |
Frigyesi null: "The Macro- and Micro-Lives of Sounds in Morton Feldman's 'The Viola in My Life I' ", In: Felix, Wörner; Ullrich, Scheideler; Philip, Rupprecht (szerk.) Tonality Since 1950, Franz Steiner Verlag (2017) pp. 167-188. type of document: Part of book/Könyvfejezet (to be translated) language: English
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2016
from data base, 2019. III. 21. |
Frigyesi Judit: "Zene és szent szöveg a zsidó imában.", MAGYAR EGYHÁZZENE: EGYHÁZZENE LITURGIKA ORGANOLÓGIA XXIII.: (2015/2016) pp. 121-130. type of document: Journal paper/Article language: Hungarian
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2014
from data base, 2019. III. 21. |
Frigyesi Judit: Scholarship on East European Jewish Music after the Holocaust, HUNGARIAN QUARTERLY 54: (209) pp. 150-163. type of document: Journal paper/Article language: English
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2014
from data base, 2019. III. 21. |
Frigyesi Judit: “How Barbaric Is Bartók’s forte ? About the Performance of Bartók’s Fast Movements for Piano and Strings, with Emphasis on the First Movement of the Fifth String Quartet,”, In: Dániel, Péter Biró; Harald, Krebs (szerk.) The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective, Oxford University Press (2014) pp. 200-243. type of document: Part of book/Könyvfejezet (to be translated) language: English
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2013
from data base, 2019. III. 21. |
Frigyesi Judit: “A rift never to be healed: the music of the traditional and reform service”, In: Jascha, Nemtsov (szerk.) Jüdische Musik als Dialog der Kulturen und ihre Vermittlungsdimensionen, Harrassowitz Verlag (2013) pp. 71-102. type of document: Part of book/Könyvfejezet (to be translated) language: English
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2012
from data base, 2019. III. 21. |
Frigyesi Judit: “The Individual Style of an Eastern-European Ba’al Tefillah (in Hebrew, סגנון אישי של בעל תפילה מזרח-אירופי)”, In: E, Avitsur; M. Ritzarev; E., Seroussi (szerk.) Garment and Core: Jews and their Musical Experiences, Bar-Ilan University Press (2012) pp. 203-216. type of document: Part of book/Könyvfejezet (to be translated) language: English
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2012
from data base, 2019. III. 21. |
Frigyesi Judit: Who is the girl in Bartók’s The Miraculous Mandarin? A case study of Mimi’s deleted scene and its dramatic meaning, STUDIA MUSICOLOGICA: AN INTERNATIONAL JOURNAL OF MUSICOLOGY OF THE HUNGARIAN ACADEMY OF SCIENCES 53: (1-3) pp. 241-274. type of document: Journal paper/Article number of independent citations: 1 language: English
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2011
from data base, 2019. III. 21. |
Frigyesi Judit: “’To be left behind’: the Mendelssohnian withdrawal of the promise of sacred music”, MAGYAR EGYHÁZZENE: EGYHÁZZENE LITURGIKA ORGANOLÓGIA XVIII: (4) pp. 389-396. type of document: Journal paper/Article language: Angol, Magyar
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2000
from data base, 2019. III. 21. |
Frigyesi Judit: Béla Bartók and turn-of-the-century Budapest, University of California Press type of document: Book/Monography number of independent citations: 1 language: English
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| Number of independent citations to these publications: | 2 |
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