 Print previewpersonal data approved: 2022. II. 01. | Publications |
2021
 from data base, 2022. II. 01. |
Gyenge Zsolt: Animated Visions of Reality, In: Reeh-Peters, Christine; W. Schmidt, Stefan; Weibel, Peter (szerk.) The Real of Reality: The Realist Turn in Contemporary Film Theory, Brill (2021) pp. 68-83.
type of document: Part of book/Szaktanulmány (to be translated)
language: English
URL |
2021
from data base, 2022. II. 01. |
Gyenge Zsolt: Kamerával pusztító: az antropocén mozgóképes diskurzusai, BALKON: KORTÁRS MŰVÉSZETI FOLYÓIRAT pp. 17-21.
type of document: Journal paper/Article
language: Hungarian
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2021
from data base, 2022. II. 01. |
Gyenge Zsolt: Tévelygő utazók a képernyők között : A mozgóképes installációk tapasztalatának fenomenológiai leírása, APERTÚRA 16: (2) https://www.apertura.hu/2021/tel/gyenge-tevelygo-utazok-a-kepernyok-kozott-a-mozgokepes-installaciok-tapasztalatanak-fenomenologiai-leirasa/
type of document: Journal paper/Article
language: Hungarian
URL |
2020
from data base, 2022. II. 01. |
Gyenge Zsolt: This is Not Magritte: Corneliu Porumboiu’s Theory of Representation, In: Pethő, Ágnes (szerk.) Caught In-Between. Intermediality in Contemporary Eastern European and Russian Cinema, Edinburgh University Press (2020) pp. 203-218.
type of document: Part of book/Szaktanulmány (to be translated)
language: English
URL |
2019
from data base, 2022. II. 01. |
Gyenge Zsolt: Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space, In: Filipa, Rosário; Iván, Villarmea Álvarez (szerk.) New Approaches to Cinematic Space, Routledge of Taylor and Francis Group (2019) pp. 228-240.
type of document: Part of book/Szaktanulmány (to be translated)
language: English
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2018
from data base, 2022. II. 01. |
Gyenge Zsolt: A mozgókép mestere? Bergman filmes kifejezőeszközeinek kritikai elemzése, In: Gelencsér, Gábor; Murai, András (szerk.) Bergman 100, Gondolat Kiadó (2018) pp. 23-43.
type of document: Part of book/Szaktanulmány (to be translated)
language: Hungarian
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2017
from data base, 2022. II. 01. |
Gyenge Zsolt: Kép, mozgókép, megértés, L'Harmattan Kiadó; Könyvpont
type of document: Book/Monography
number of independent citations: 3
language: Hungarian
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2016
from data base, 2022. II. 01. |
Gyenge Zsolt: Subjects and Objects of the Embodied Gaze: Abbas Kiarostami and the Real of the Individual Perspective, ACTA UNIVERSITATIS SAPIENTIAE FILM AND MEDIA STUDIES 13: pp. 127-141.
type of document: Journal paper/Article
number of independent citations: 4
language: English
URL |
2015
from data base, 2022. II. 01. |
Gyenge Zsolt: Visual Composition of Bodily Presence, ACTA UNIVERSITATIS SAPIENTIAE FILM AND MEDIA STUDIES 2015: (11) pp. 111-123.
type of document: Journal paper/Article
language: English
URL |
2009
from data base, 2022. II. 01. |
Gyenge Zsolt: Illusions of reality and Fiction on the Desired Reality of Fiction, ACTA UNIVERSITATIS SAPIENTIAE FILM AND MEDIA STUDIES 1: pp. 69-79.
type of document: Journal paper/Konferenciaközlemény
number of independent citations: 10
language: English
URL |
| | Number of independent citations to these publications: | 17 |
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