personal data approved: 2024. I. 21. Publications |
2022
from data base, 2024. I. 21. |
Mária Kurdi: Taking the “Black Stick”: Ageing Husbands and Fathers in the Plays of J. M. Synge and Teresa Deevy, In: Michaela, Schlage-Früh; Tony, Tracy (szerk.) Ageing Masculinities in Irish Literature and Visual Culture, Routledge (2022) pp. 17-32. type of document: Part of book/Könyvfejezet (to be translated) number of independent citations: 3 language: English
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2022
from data base, 2024. I. 21. |
Mária Kurdi: Dramaturgical Roles of Present and Past Teenage Characters in Post-Agreement Northern Irish Drama, HUNGARIAN JOURNAL OF ENGLISH AND AMERICAN STUDIES 28: (2) pp. 339-356. type of document: Journal paper/Article number of independent citations: 1 language: English URL |
2022
from data base, 2024. I. 21. |
Kurdi Mária: Samuel Beckett’s Drama in Hungarian Theatre History and Criticism before 1990, THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA 16: (4) pp. 54-69. type of document: Journal paper/Article language: English URL |
2021
from data base, 2024. I. 21. |
Mária Kurdi: Family Dysfunction and Character Dynamics: Nancy Harris’s Our New Girl (2012) in Conversation with Marina Carr’s Portia Coughlan (1996) and Martin Crimp’s The Country (2000), In: David, Clare; Fiona, McDonagh; Justine, Nakase (szerk.) The Golden Thread: Irish Women Playwrights, Liverpool University Press (2021) pp. 181-193. type of document: Part of book/Könyvfejezet (to be translated) number of independent citations: 2 language: English
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2021
from data base, 2024. I. 21. |
Kurdi Mária: John Millington Synge. Az ír modernség drámaírója, Kronosz Kiadó type of document: Book/Monography number of independent citations: 4 language: Hungarian
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2010
from data base, 2024. I. 21. |
Mária Kurdi: Representations of Gender and Female Subjectivity in Contemporary Irish Drama by Women, Edwin Mellen Press type of document: Book/Monography number of independent citations: 46 language: English
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2010
from data base, 2024. I. 21. |
Mária Kurdi: An Ideal Situation? The Importance of Oscar Wilde’s Dramatic Work in Hungary, In: Stephano, Evangelista (szerk.) The Reception of Oscar Wilde in Europe, Continuum (2010) pp. 245-255. type of document: Part of book/Szaktanulmány (to be translated) number of independent citations: 12 language: English
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2007
from data base, 2024. I. 21. |
Mária Kurdi: Transplanting the Work of ‘that rooted man’: The Reception of John Millington Synge’s Drama in Hungary, COMPARATIVE DRAMA 41: (2) pp. 219-241. type of document: Journal paper/Article number of independent citations: 10 language: English URL |
2006
from data base, 2024. I. 21. |
Mária Kurdi: The Helen of Inishmaan Pegging Eggs: Gender, Sexuality and Violence in the Work of Martin McDonagh, In: Lilian, Chambers; Eamonn, Jordan (szerk.) The Theatre of Martin McDonagh: A World of Savage Stories, Carysfort Press (2006) pp. 96-115. type of document: Part of book/Szaktanulmány (to be translated) number of independent citations: 28 language: English
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2000
from data base, 2024. I. 21. |
Mária Kurdi: Codes and Masks: Aspects of Identity in Contemporary Irish Plays in an Intercultural Context, Peter Lang type of document: Book/Monography number of independent citations: 72 language: English
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| Number of independent citations to these publications: | 178 |
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